Octopussy (1983) Movie Review

🎬 Octopussy (1983) James Bond, Roger Moore, Movie Review🎬 Octopussy (1983) James Bond, Roger Moore, Movie Review

We’re here, we’re back on Bond and we’re raring to go! Octopussy (1983), loved by a lot of Bond fans and grossed more revenue than the rival, Never Say Never Again in the same year.

We discuss the effectivity of red Lycra during a siege situation. Samir tells us that Kabir Bedi had a property in Hampshire, UK, and Justin explains how a plane on a stick was used in the opening scene. Paul mentions the Tarzan swing, multiple times!

Octopussy is a 1983 spy film and the thirteenth in the James Bond series produced by Eon Productions; it was the sixth to star Roger Moore as the fictional MI6 agent James Bond. It was directed by John Glen and the screenplay was written by George MacDonald Fraser, Richard Maibaum and Michael G. Wilson.

The film’s title is taken from a short story in Ian Fleming’s 1966 short story collection Octopussy and The Living Daylights, although the film’s plot is mostly original. It does, however, contain a scene adapted from the Fleming short story “The Property of a Lady” (included in 1967 and later editions of Octopussy and The Living Daylights). The events of the short story “Octopussy” form part of the title character’s background and are recounted by her in the film.

Bond is assigned the task of following a megalomaniacal Soviet general who is stealing jewellery and art objects from the Kremlin art repository. This leads Bond to a wealthy exiled Afghan prince, Kamal Khan, and his associate, Octopussy, and the discovery of a plot to force disarmament in Western Europe with the use of a nuclear weapon.

Octopussy was produced by Albert R. Broccoli and Michael G. Wilson; it was released four months before the non-Eon Bond film Never Say Never Again. The film earned $187.5 million against its $27.5 million budget and received mixed reviews. Praise was directed towards the action sequences and locations, with the plot and humour being targeted for criticism; Maud Adams’s portrayal of the title character also drew polarised responses.



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